![]() The dailies lab then begins syncing the footage based on jam sync timecode and manually adjusting for drift or other jam sync issues. The drive contents are verified and production is notified if anything is missing from set. The dailies lab receives the shuttle drive from set and offloads the media to RAID storage. Kally Williams monitors the audio as it’s captured to separate devices. The script supervisor then emails their script report to the dailies lab and editorial once it’s finalized. This drive and the paper camera reports from the camera team are then handed off to a PA, who is driven to the dailies lab by a member of the transportation team once one is available. The DIT also grades the image out of the camera for the cinematographer and the director, saving those grades as CDL files.Īt the end of the day, after the last camera cards and SD cards are offloaded, the DIT adds their CDL files and data reports to the shuttle drive. On the DIT cart, the camera cards and SD cards from sound are offloaded using a checksummed copy to a local RAID storage and a shuttle drive. Digital imaging technician Ellen Feldman stands ready at her cart. While scenes are being shot, the script supervisor records performance notes and circle takes into their script report. Sound is recorded simultaneously to separate media, typically SSDs or SD cards, and these also head to the DIT cart. ![]() On the set, the camera records to camera cards, which are sent to the data or DIT cart. That means step 2 can’t happen until step 1 is done, and so on. And we’re just getting started.īut before we take a deep dive into what Frame.io C2C offers, let’s take a look at a traditional digital cinema workflow. It removes legacy bottlenecks and optimizes your workflows in ways that were previously impossible. ![]() Frame.io Camera to Cloud (C2C) is our brand new, secure service that instantly connects your creative teams and stakeholders to the cameras on your set, wherever in the world they might be.
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